Mejibray - COPERNICUS

Lyrics: Tsuzuku
Music: MiA
Transcription & translation: Ariane
Note: Lyrics isn't sung in the instrumental track.


KANJI *:--☆--:*:--☆:*:--☆--:*:--☆-:

“そう、僕らは選択しなければならない。未来の為に。”

新タナ

                再生ヲ

僕達ノ未来

                明日ノ為二

“動キ出ス”

知っているか？

僕らの見えているこの世界には

違う角度が存在するという事を。

“止めぬ雨はない”

                などと何処かのボクが詠うけれど、

僕は

“止めぬ雨”

                を降らせ続けたい

それの形が空から落ちた雫でなくても。

-FIN…?-

ROMAJI *:--☆--:*:--☆:*:--☆--:*:--☆-:

„Sou, bokura wa sentaku shinakereba naranai. Mirai no tame ni.”

Aratana

                Saisei wo

Bokutachi no mirai

                Asu no tame ni

„Ugokidasu”

Shitteiru ka?

Bokura no mieteiru kono sekai ni wa

Chigau kakudo ga sonzai suru to iu koto wo.

„Tomenu ame wa nai”

                Nado to dokoka no boku ga utau keredo,

Boku wa

„Tomenu ame”

                Wo furasetsudzuketai

Sore no katachi ga sora kara ochita shizuku denaku to mo.

-FIN…?-

ENGLISH *:--☆--:*:--☆:*:--☆--:*:--☆-:

„Well, we have to make a choice. For the sake of future.”

New

                Rebirth

Our future

                For the future

“Come to life”

Do you know?

In this world we see

There is also another angle (from which you can see things).

“There is no rain, that wouldn’t stop falling”

                That me, who is somewhere there sings things like that, but

I

                Want to make that “neverending rain”

To fall all the time

With all of its form, which isn’t drops, falling from the skies.

-FIN…?-

POLSKI *:--☆--:*:--☆:*:--☆--:*:--☆-:

“Cóż, musimy podejmować decyzje. Dla dobra naszej przyszłości.”

Nowe

                Odrodzenie

Nasza przyszłość

                Dla przyszłości

„Działaj”

Czy wiesz?

W tym świecie, który widzimy

Istnieje jeszcze inny punkt widzenia.

„Nie ma deszczu, który nie ustanie”

                Ten ja, który gdzieś tam jest śpiewa takie rzeczy, ale

Ja

                Chciałbym sprawić, by ten „niekończący się deszcz”

Padał cały czas

Wraz z tym, co nie jest kroplami, spadającym z nieba.

-FIN…?-

Mejibray - IDEA

Lyrics: Tsuzuku
Music: MiA
Transcription & translation: Ariane
Note: The lyrics isn't sung in the instrumental track, but it's written.


KANJI *:--☆--:*:--☆:*:--☆--:*:--☆-:

ホラ

きっとキミにも聴こえてくる

あの日見た青い鼻のピエロだったり

赤い瞳のヒポポタマス

朝起きたら雨の降ってた日曜日

そんな色や香りも聴こえてくる

青黒いカーテンを開いて

俺のイデアがハネ上げる

ROMAJI *:--☆--:*:--☆:*:--☆--:*:--☆-:

Hora

Kitto kimi ni mo kikoetekuru

Ano hi mita aoi hana no piero dattari

Akai hitomi no hippopotamus

Asa okitara ame no futteta nichiyoubi

Sonna iro ya kaori mo kikoetekuru

Aoguroi curtain wo aite

Ore no idea ga haneageru

ENGLISH *:--☆--:*:--☆:*:--☆--:*:--☆-:

Hey,

I’m sure you hear it too

Clown you saw the other day, that one with blue nose

And hippos with red eyes

When you woke up in the morning, it was rainy Sunday

You also hear such colors and scents

Opening the bluish black curtains

My ideas are raising*

* The word means also ‘to throw up/churn up’

POLSKI *:--☆--:*:--☆:*:--☆--:*:--☆-:

Hej,

Jestem pewien, że też je słyszysz

Klauna, którego widziałeś jakiś czas temu, tego z niebieskim nosem

I hipopotamy z czerwonymi oczami

Kiedy się obudziłeś rano, była deszczowa niedziela

Ty też słyszysz te kolory i zapachy

Otwierając sine zasłony

Moje myśli rodzą się*

* Słowo znaczy również „wymiotować/mdlić”

THE MICRO HEAD 4N'S Instore Event - 28th December 2014, Tokyo Ikeburo, Brand X

Author: Hikari
Editor: Neli
Publishing partner: Tora Tsuki

Relatively early in the morning, I made my way to Ikebukuro for the in store event of THE MICRO HEAD 4N’S (called Maifo). Since I only had been once to the Brand X shop before, I decided on being a bit earlier to search for it, in case I would have might forgotten the way. It was a cold winter day though, so when I almost arrived at the shop I were pretty early. In order to warm up I wanted to get a hot drink from the convenience store and looked into it, while still being a bit away from the entrance. Surprised I stared into the shop for some seconds, still trying to figure out if I really were seeing Zero and Ricky in the store. They still had not noticed me, so I decided not to stop at the shop and leave them alone.

So I wandered around in the cold for a bit, checking twitter and due to some messages from Japanese fans I got to know that all members of Maifo must have been in the convenience store at that time.

Some time before the in store event started I got back to the shop, perfectly in time, when a staff started to line up everybody due to the numbers.

So when I heard my range I went to her, showing her my number, as everybody did, and were brought to a spot.

Later the woman, who was supposed to stand in front of me, arrived and we started to talk, because I realized she was wearing a scarf Hizumi designed. We had a fun time, while waiting in the cold until we could get into the already crowded Brand X shop. Inside the store it was a little bit too warm. On a screen on the left side, the new Maifo DVD was played, while in front of us were something that looked like a red wall.

Anyway shortly after the last person got into the store Yada from Brand X started with the introduction and then moved the red roller shutter that looked like a wall before. There were Maifo sitting.

The sitting order was: Shun Zero, Kazuya, Tsukasa, Ricky. So the Bônenkai-talk and 6Shot checki shoot could start.

A Bônenkai is a party you have at the end of the year and drink a lot of alcohol in order to forget, especially the bad parts, of the ending year. So referring to the talk as a Bônenkai-talk they decided to do a cheers with drinks with the fans, therefore they went to the convenience store and bought themselves some drinks. While Tsukasa and I think also Kazuya really drank beer, Zero only had a bottle of tea and a bottle of water. So not everybody of them drank alcohol.

For some reasons they started to be bothered by the drinks, because they had the labels on it, so Zero started to remove the label around his tea bottle and then moved on to Shun’s doing the same. I did not get what the problem was at all. Maybe covert advertisement or the little hope that they could now say that they had drunken alcohol as well.

The talk was based on questions that the fans could ask. For the question, they had got a paper along with their in store ticket and had to hand it in before the in store started.

It might be possible that I mixed up the order of the questions, I am sorry for that, but such an event is pretty fast.

The first question was about bad memories they made that year. The first person, who had to answer, was Shun.

He explained that he had troubles with his bicycle. When he was in Roppongi and for some reasons the pedal broke and soon after that his saddle moved forward too. So he decided to leave the bicycle and took the broken pedal to a friend.

When he got back to his bicycle it was gone. Then it was Zero’s turn, who told about the last live, because he was moving around and then struggled before falling down. He got a bruise on his hip. He also stood up to show where and how big it was. Then he started to say that he could not play futsal that year at all and he thought it was kind of sad.

So Yada suggested Maifo could play with the audience later but Kazuya said, he does not really like sports or has no interest in it that is why he do not appreciate the idea. So Yada asked him, if he is playing golf.

With that a golf talk started. However it seems that Kazuya and Shun both are not good with it.

Since Tsukasa and Ricky obviously did not like the topic. Ricky tried to convince Tsukasa to make them stop and in the end he really got Tsukasa to interfere. But with that Kazuya’s story about the year was skipped.

For Tsukasa, he had a bike story too. He went to a karaoke box alone to practice and when he got out of it and went to his bicycle I think somebody was trying to steal it, but I'm not sure. Sadly I did not get Ricky's. Sorry!

The next were actually two questions. First it was about the DVD and then about their pants color today. Yada started with Ricky and Tsukasa. Both of them admitted that they have not seen the DVD yet, so they cannot say anything about it.

For the other 3 members they meant they saw the DVD so often while cutting it, that the memory of it is mixed up. Zero mentioned that there were many cool parts but he had to cut some out. Every talk had been cut out during the song Reverberation on the DVD, because otherwise the people who will watch it, would not understand the situation, unless they had been on the concert. They started talking about the intro of 'I'm like a bird in a cage & U too' because they clap during that part. Zero said that everybody looked cool, despite Tsukasa who claps in Enka style. So they made Tsukasa clap and saying what kind of clapping is good. Ricky also sang a bit to make the drummer clap. After that they had to talk about their panty color. Starting with Shun, who said black. Zero said black too and Yada asked if it would be glossy or matt.

The bassist looked surprised but answered with matt. When Kazuya got the answer, he mentioned that probably all of Maifo would kind of wear the same underwear. Yada made a joke out of it. Saying that they would ask around in the dressing room whom pants this or that would be, since all would wear black. Everybody laughed and Kazuya then admitted that he wears black pants too. Tsukasa answered with black too. When Ricky had to answer the question, he apologized saying that he would be the exception. The vocal stood up, putting down a bit of his pants showing his underwear and confessing to his red/white fruits underwear.

For some reasons they started to talk about their answering to emails habits or better about Tsukasa’s habit. Somebody said that Tsukasa would always write too short emails or does not answer at all. Anyway the drummer explained that his former cellphone did not had a 'answer all' function or something like that. I did not get the explanation to 100%. Tsukasa promised to answer at least to Kazuya starting with the next year.

There was a question with which kanji the members would describe 2014. Sadly I do not remember Shun’s.

Zero started that part with sou desu. And the kanji he meant is pronounced sou.

So he ended up saying 'maa, sou desu. ... sou desu.' And Yada again asked for it so he said again 'sou desu' but I do not know which kanji he exactly meant and I did not understand the explanation.

Kazuya was 楽 (fun), Ricky was 新 (new), and Tsukasa was 山 (mountain). The drummer explained that a lot happened this year, with his enka and the illustration stuff. So Shun said that it is good that it was not a 川 (river).

But with that there was a good bridge for Tsukasa to talk a bit about enka and he also sang a bit. Yada mentioned something about it and Tsukasa started checking it on the phone. But when he found it, it was a bit different from what he expected. At the end of the talk for some reasons Zero explained that he is not talking at all when there is a camera around.

When Yada wanted that each member gives a short message to the fans, Shun used the chance to say, that on the next day it would be Yada’s birthday and they would have a present for him. So everybody sang Happy Birthday for Yada.

The present was related to golf. Yada was surprised saying that it must be quite expensive. But Shun denied that.

When Shun then started to transmit his message, Yada was still looking into the present being astonished about. So guitarist asked if Yada would listen and everybody laughed.

After the talk ended everybody had to go outside from Brand X, lining up at the same place as earlier.

The lineup was again according to the number you had on your ticket. So I started to talk to the woman I talked to before the talk started. We exchanged twitter. She was as nervous as me, even though she had been to some checki shootings before, while for me it was the first. A friend of hers was before us and when she came back.

I was introduced to her and we started talking too. Finally it was our turn. In a group of ten people you were lead to the shop again, standing on the stairway. On the bottom of the stairway you could give your belongings as bag and jacket to the staff, who put it on a chair in the room. When the checki of the person before you was already taken you could enter. In the room there was just the band, Yada, who took and you. In the back there was Shun, Ricky and Kazuya (from left to right) and in the front were Zero and Tsukasa sitting (from left to right) between the bassist and the drummer was a vacant stool for you to sit down. Shortly after you sat down Yada took the picture. You got the checki grabbed your belongings and had to leave. Outside I met up with the Japanese fans again and suddenly there was another fan too. We talked and they were pretty curious. They told me that you could have handed over a letter to the members as well before the checki was taken. After some time we left.

It was really funny event, everybody, Maifo and the fans, laughed a lot.

DIAURA Tour Final - 31st January 2015, Tokyo Nakano Sunplaza

Author: Hikari
Editor: Neli
Publishing partner: Tora Tsuki

The 31. January had been the day of Diaura’s tour final and also the birthday of Diaura’s bassist Shoya. Together with a friend I arrived in Nakano a bit too early. The goods sale had just started and the line was long, since the wind was pretty strong and cold we had decided to pay the Nakano Broadway a visit. If you like anime and manga, you can find almost everything there. After that we searched for a nice small café, but only found one of the bigger chains, so we gave up and went back to the hall. Luckily the fans were allowed to wait inside, in a huge lobby.

The goods stand was still open, so we went there to look what they still had left.

A bit later an announcement was made, that the fans should line up. So everybody went outside and lined up.

It had been a seated live, so it did not matter where you had been standing in the line, since your seat would have been still the same. We lined up immediately to escape from the cold wind. Sadly the entrance was a bit delayed, but when it started everything was done pretty fast. Since the hall was pretty big there was no drinking fee as usually.

Our seats were in the middle-back part, but still good.

If you have never been to a seated live and wonder how that will work, do not worry. During the concert you stand and normally everybody puts the stuff on the chair so that you can move easily. While head banging you can grab on to the chair in front of you, which makes it sometimes easier to get wilder. After the main part you can sit a bit and rest, while calling for the encore. An advice from me for seated lives: please, put your belongings on the seat if you know the band has songs with moshing.

The bag will be in the way and might cause somebody to step on it or fall over it.

The intro started and everybody got off their seats, putting their belongings on the seats. Step by step the members entered the stage, getting a loud support from their fans and the first song “ID” started. The fans raised their hands and the furitsuke along with Yo-ka, clapping their hands or forming a triangle with their hands. The fans were already in high spirits when the second song “MENASU” started. So an evening full of joy had started. That this evening would be full of head banging and messy hair was already shown during "赤い虚像“, which set the fans more on fire, while they head banged, had done furitsuke and jumped around. Diaura pushed their fans, who seemingly just wanted this show really to be the highest.

But not only head banging was on the agenda, which the four members of Diaura created.

Starting with "境界線" a slower part was introduced. The fans used this part to keep their breath steady, while listening to the melodious song. “ARIA” followed, which is also rather soft, but during that song the fans could not stand still anymore. At some parts they raised their hands again for furitsuke or cheering for Kei while he played his guitar solo.

The slower part was completely over with "イノセント" , a song, which let the fans went wild again.

The song was followed by the darker intro of “TERRORS”. No matter what song Diaura played the fans were immediately into it, shaking the heads and the rest of their body to the music.

During the new song “FROM UNDER”, which haven’t been released yet, the stamina of the fans were tested.

The song owns a lot of Japanese moshing and normally of sedai, unless it isn’t a seated live. If it is a seated live, instead of sedai you will jump, while raising your hands followed by a short head banging part.

The fans happily moved to the right and left, clapping their hands before jumping and head banging.

While Yo-ka decided to run around freely through the first floor of the hall, the song continued. It felt like forever that we were moshing, jumping and head banging, while the vocal moved from one part of the hall to another while singing. Completely exhausted but with a really good feeling inside, the next song "失翼の聖域" started.

The song was not as exhausting as “FROM UNDER” but still no chance to get your breath steady again.

The song was over and the band left the stage and after a brief moment the fans started to call for the encore.

Once the band entered the stage again, the members made a small self-introduction, where everybody said something. Kei also started a cheering “battle” calling for the second floor to hear their voices before demanding the same from the first floor.

When it was Shoya’s turn everybody were cheering and a staff member entered the stage with a cake.

The fans started to make a sound close to “N’awww”, while Yo-ka was trying to make the fans cheer so loud, that Shoya would not notice the staff behind him with the cake. Sadly it did not work and the bassist turned around.

The vocalist made a hand moving showing that Shoya should turn away again, saying “You didn’t notice anything!” Everybody started laughing. Shoya tried to restart with his talk while pretending he had not noticed anything.

When it was about time to get the cake, the fans started singing HAPPY BIRTHDAY when Yo-ka had showed them to start. For some reasons the third line was not carried out by the fans and you could imagine that the vocal was rolling his eyes when looking at the fans, for not singing properly. The lights were turned off and you basically could have only seen Shoya, Yo-ka and the cake. The bassist managed to blow out the candles in one go.

The staff took the cake away, while Shoya said “Thank you” and also explained, that he had thought something would be done, but he had no clue, so he was kind of asking himself the whole time, whether it would be done now or later

The encore started with “REASON FOR TREASON”, again a song, where the fans could start getting crazy.

Before “GARDEN OF EDEN” Yo-ka gave a long talk section about his feelings for the band and their time as band.

Sadly I cannot transmit this properly. But it was a perfect bridge for that song. A song without head banging, but furitsuke. The concert ended with “TRIGGER” and "自壊 “ as the last two songs. An perfect ending, that could make the fans go wild once more. The band left the stage again and a canvas was lowered, showing the promotion of the announcement for the new single “RUIN” and the Osaka, Nagoya, Tokyo Tour in May. The fans happy responded to that announcement and then grabbed their belongings rushing outside to line up for the goods stand to buy checki. Outside the hall the fans started trading checki, looking for their favorite member or talking to some other band members, who handed out flyers of their bands. Exhausted, but happily my friend and I went to another place to get some food and talk about the amazing concert, as well as checking out the new flyer of Diaura.

Setlist:

Triangle Vision
02.ID
03.メナス 04.赤い虚像 05.砂上の夢 06.モラトリアム 07.Hypnosis
08.blind message
09.Case of Mussmurder
10.SIRIUS
11.境界線 12.アリア 13.解離 14.イノセント 15.TERRORS
16.Beautiful Creature
17.Silent Majority
18.from under
19.失翼の聖域
EN
01.Reason for Treason
02.新世界 03.Garden of Eden
04.TRIGGER
05.自壊

 

HIZAKI EU solo tour -Crimson Rose-

33Degrees announcement!

The first SOLO Tour of HIZAKI, guitarist of Jupiter starts!
The songs of Jupiter, Versailles and HIZAKI grace project will be performed in the very first chapter of his world tour.
The first gigs are:
May 25th 2015 at MTC Club in Cologne, Germany
(http://www.mtcclub.de/)

May 29th 2015 at Covent Garden Studios in Eragny, France
(http://www.coventgarden.fr/)

33 Degrees's team is proud and happy to provide the audience with low ticket prices. Our will is to organize events that are accessible to everyone.
− Regular ticket at 25€ (the price doesn’t include possible ticket service fees)
− VIP ticket at 45€ (the price doesn’t include possible ticket service fees)

VIP ticket includes:
− An early access to the show
− Exclusives gifts
− A meeting with HIZAKI
− An autograph session with HIZAKI
The ticket sales will start on Monday March 30th 2015, with very limited number of tickets.
The links for the ticket sales will be published on our social networks sites, so stay tuned and don’t miss this exceptional event!
Information about the Merchandising products of the tour will be published soon.
HIZAKI will also take part in other events which will be announced in the following days….

Tickets sales will start on Monday March 30th at 9pm (French Time) please follow those links :
KOLN
https://www.weezevent.com/hizaki-crimson-rose-europe-2-koln
ERAGNY
https://www.weezevent.com/hizaki-crimson-rose-europe-eragny

m:a.ture - 波動関数上のAim

Lyrics & Music: 桜村眞 (Oumura Shin)
Transcription & translation: Ariane


KANJI *:--☆--:*:--☆:*:--☆--:*:--☆-:

索敵潰すflashを産んで

隔壁有無strive/morphine

濁流沈めrhymeの海へと

脈打つ鼓動 like a C10H15N

眠れぬ夜深く喉元へ

突き刺す泥濘の底で

膨らませたidealの淵で

研ぎ澄ませた思考

対角線上描き結び紡ぎ

爪先弾く一つ二つ一つ

視覚、知覚、鼓膜揺さぶる

張り巡らす糸

駆け巡った色彩の渦を今呑み込んで

水は低きに流る様にまた還るのなら

今、眼を逸らさないでいて

波動関数上のAim

速射rhythm繋ぐ言ノ葉に

浮かべ叫ぶ野良犬が如く

machiavellism最果ての海へと

打ち抜く初動like a CDA

眠れぬ夜深く喉元で

突き刺す鼓動殺意の淵へ

研ぎ澄ませたidealの底で

膨らませた思考

対角線上描き結び紡ぎ

爪先弾く一つ二つ一つ

視覚、知覚、鼓膜揺さぶる

張り巡らす意図

駆け巡った色彩の渦を今呑み込んで

いつかはそこに届く様にまだ歌えるから

今、眼を逸らさないで見て

波動関数上のAim

駆け巡った色彩の渦を今呑み込んで

水は低きに流る様にまた還るのなら

今、眼を逸らさないでいて

死角からの絡み合った色彩の糸を今断ち切って

いつかはそこに届く様にまだ歌えるから

もう眼を逸らさないでいて

波動関数上のAim

ROMAJI *:--☆--:*:--☆:*:--☆--:*:--☆-:

Sakuteki tsubusu flash wo unde

Kakuheki umu strive/morphine

Dakuryuu shizume rhyme no umi e to

Myakuutsu kodou like a tina

Nemurenu yoru fukaku nodomoto e

Tsukisasu nukarumi no soko de

Fukuramaseta ideal no fuchi de

Togisumaseta shikou

Teikakusenjou egaki musubi tsumugi

Tsumesaki hajiku hitotsu futatsu hitotsu

Shikaku, chikaku, komaku yusaburu

Harimegurasu ito

Kakemegutta shikisai no uzu wo ima nomikonde

Mizu wa hikuki ni nagaru you ni mata kaeru no nara

Ima, me wo sorasanaideite

Hadou kansuujou no Aim

Soukusha rhythm tsunagu koto no ha ni

Ukabesakebu norainu ga gotoku

Machiavellism saihate no umi e to

Uchinuku shodou like a trigger

Nemurenu yoru fukaku nodomoto de

Tsukisasu kodou satsui no fuchi e

Togisumaseta ideal no soko de

Fukuramaseta shikou

Teikakusenjou egaki musubi tsumugi

Tsumesaki hajiku hitotsu futatsu hitotsu

Shikaku, chikaku, komaku yusaburu

Harimegurasu ito

Kakemegutta shikisai no uzu wo ima nomikonde

Itsuka wa soko ni todoku you ni mada utaeru kara

Ima, me wo sorasanaide mite

Hadou kansuujou no Aim

Kakemegutta shikisai no uzu wo ima nomikonde

Mizu wa hikuki ni nagaru you ni mata kaeru no nara

Ima, me wo sorasanaideite

Shinkaku kara no karamiatta shikisai no ito wo ima tachikitte

Itsuka wa soko ni todoku you ni mada utaeru kara

Mou me wo sorasanaide mite

Hadou kansuujou no Aim

ENGLISH *:--☆--:*:--☆:*:--☆--:*:--☆-:

Creating a flash that thwarts my searching for an enemy

Presence or absence of diaphragm is like strive/morphine

Submerged in the muddy stream I'm flowing into the sea of rhyme

Pulsating beat is like a tina*

During sleepless night it runs down deep into my throat

At the bottom of piercing mud

In the abyss of my inflated ideals

My thinking, which I've burnished

Over the diagonal line I am drawing, concluding, spinning

Fingertips playing one, two, one

Vision, perception, eardrums shaking

Threads, which I stretch out

Now understand the vortex of tangled colours

If water will come back to flow downhill

Now, don't avert your eyes

From Aim of the wave functions**

Words connected to rapid rhythm

Just like the floating barking of stray dog

Flowing to the farthest seas of machiavellism

Piercing initiating is like a trigger***

During sleepless night, deep in my throat

I'm falling to the abyss of piercing and beating urge to kill

On the bottom of my burnished ideals

My thinking, which I've inflated

Over the diagonal line I am drawing, concluding, spinning

Fingertips playing one, two, one

Vision, perception, eardrums shaking

Aims, which I stretch out

Now understand the vortex of tangled colours

Because I still sing to reach there someday

Now, don't avert your eyes and watch

The Aim of the wave functions

Now understand the vortex of tangled colours

If water will come back to flow downhill

Now, don't avert your eyes

Now cut off the thread of intertwined colours from the blind spot

Because I still sing to reach there someday

Now, don't avert your eyes

From Aim of the wave functions

* Tina is a slang word for methamphetamine, which chemical formula is exactly C10H15N.

** This one is more complicated than it looks, in fact:

1.      Shin sings about “aims” he shows

2.      But AIM of the wave function is also a quantum theory of Atoms In Molecules, according to which atoms and bonds are expressing the electron density distribution function of the electronic system observed. Putting it really simply, it's the theory partially explaining the formation of chemical bonds, so "how new atoms (here: things) are born".

*** CDA (Combat Defense Action) is a trigger system used in Heckler & Koch weapons

POLSKI *:--☆--:*:--☆:*:--☆--:*:--☆-:

Tworząc błysk, który niweczy moje poszukiwania przeciwnika

Obecność i nieobecność membrany jest niczym walka/morfina

Zanużony w błotnistym strumieniu płynę do morza rymów

Pulsujący beat jest niczym tina*

Wśród bezsennej nocy spływa mi do gardła

Na dnie przeszywającego błota

W otchłani moich rozdmuchanych pomysłów

Mój sposób myślenia, który wyostrzyłem

Ponad przekątną rysuję, wykańczam, wiruję

Opuszki grające raz, dwa, raz

Wizja, percepcja, bębenki drżą

Nici, które rozciągam wokół

Teraz zrozum wir pogmatwanych kolorów

Jeśli woda wróci, by znów płynąć w dół

Teraz, nie odwracaj wzroku

Od idei funkcji falistych**

Słowa powiązane z szybkim rytmem

Zupełnie niczym unoszące się w powietrzu szczekanie bezpańskiego psa

Płynące do najdalszych z mórz machiawelizmu

Przeszywające nawskroś inicjowanie jest niczym spust***

Wśród bezsennej nocy na dnie gardła

Spadam w otchłań przeszywającej i tętniącej we mnie rządzy krwi

Na dnie moich wyostrzonych idei

Mój sposób myślenia, który rozdmuchałem

Ponad przekątną rysuję, wykańczam, wiruję

Opuszki grające raz, dwa, raz

Wizja, percepcja, bębenki drżą

Idee, które rozciągam wokół

Teraz zrozum wir pogmatwanych kolorów

Ponieważ ja wciąż śpiewam, by dostać się tam pewnego dnia

Teraz, nie odwracaj wzroku i patrz

Na idee funkcji falistych

Teraz zrozum wir pogmatwanych kolorów

Jeśli woda wróci, by znów płynąć w dół

Teraz, nie odwracaj wzroku

Teraz odetnij od ślepego punktu nić przeplatających się kolorów

Ponieważ ja wciąż śpiewam, by dostać się tam pewnego dnia

Teraz, nie odwracaj wzroku

Od idei funkcji falistych

* Tina to slangowe określenie metamfetaminy, której wzór chemiczny to dokładnie C10H15N

** Ten fragment jest bardziej skomplikowany niż się wydaje, ponieważ:

1. Shin śpiewa o 'ideach', które roztacza

2. Ale AIM w funkcjach falistych to także kwantowa teoria Atomów w Molekułach (Atoms In Molecules), wg której atomy i ich połączenia obrazują funkcję rozkładu gęstości elektronowej danego systemu elektronowego. Mówiąc prosto, to teoria, która częściowo wyjaśnia, jak tworzą się wiązania chemiczne, więc i "jak atomy (tu: rzeczy) się rodzą".

*** CDA (Combat Defense Action) jest systemem spustowym używanym w broniach Heckler & Koch.